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I always took a window seat, because I like to watch the landscape below. Most people prefer the extra comfort of the aisle, and most people assigned to window seats pull down the shades.
One time about four years ago, after taking off from Indianapolis, I found myself absorbed more thoughtfully than usual in the farmland below. I realized I was observing so many things in the landscape for the first time that I would never remember them all.
That happens a lot as I get older. I imagined a little book the airlines could tuck into the seat pocket by each window. I talked about it with geographers at the university.
Everything I know about geography I learned in the window seat. Since then, Kenny has given me a lot to read about American landscape. From Indianapolis to Eugene, surveyors have laid out America in neat one-mile squares. It was Thomas Jefferson who invented the grid, in the Land Ordinance of ; the Homestead Act of extended it west of the Mississippi.
I always took it for granted until I went to Europe, where property lines are a lot less orderly. I remember the very day I became aware of the American grid here in my home town of Eugene.
Introduction college essay research automation of digital historical map analysis essay a descriptive essay about winter population growth and the environment essay motivation essay scholarship sproglige virkemidler essay writer pc cast author biography essay factual claim essay kenza j essaye encore wire difference between right and wrong. The correct answer is %, obtained as follows: Out of 10, women, have breast cancer; 80 of those have positive mammographies. From the same 10, women, 9, will not have breast cancer and of those 9, women, will also get positive mammographies. When you're not using a title page, generally your name, the course name, professor or teacher's name and the due date are placed at the upper left hand corner of the first page.
For years I walked my dog every day at sunrise. The sun rises at a different spot on the horizon every day, and one day it dawned on me literally that on March 21, the equinox, it rises right in the middle of the street, due east.
The town is laid out like an astronomical calendar, like Stonehenge. There, an eccentric cult is developing: On that day over Indiana I was noticing how roads followed the grid, one mile apart, running due east-west between fields exactly one mile square. All this is obvious from the air.
Occasionally roads stray off the grid, but they always make their way back. Terrain like that means less today than it did in the eighteenth and nineteenth centuries, since cars take an incline more easily than walkers, or horses and carriages, so newer roads tend to be straighter.
I was reading the landscape not only in two dimensions, like a map, like the flat surface it appears to be from the air, but in three, detecting elevation by curves in the grid; and not only three, but four, if you count history as the fourth dimension.
Another irregularity you notice against the regularity of the grid, besides elevation, is water: From high above, you can see as clear as day, by changes in the color of the soil, where water flows underground, invisible to the earthlings down below.
Since a square mile is acres, these farms average eighty acres, the standard unit of sale in the 's, before forty acres became the rule. Here, underground water is clearly visible as a pattern of darker brown soil. And now, if we look at just one of these little farms, it seems to be floating on a long island of green over a deep brown sea.
Do you see the same 3-D effect I do? These are very typical Indiana farms, right below the flight path from Indianapolis to Denver. This area must have been settled by small farmers when the mile-square grid was still new, so roads follow the property lines, one mile apart. Out there farmland takes different forms, more vast and even more beautiful to my eye.
Even here, though, let me not be shy on the subject of beauty. These photos seem to me quite beautiful.
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Look even more closely at the effects produced by plow lines, for example, which resemble the brush-strokes of a painter. These photos are oddly painterly. They also lack a horizon and vanishing point, essential in landscape painting for suggesting three-dimensional space and relative distance; they lack sky, the infinity of which suggests the sublime; and they lack those little details of the natural world on a human scale that reveal the relative size of things and suggest our humble place in the world.
But they are landscapes, obviously, and sometimes they do manage to suggest the sublime, or make us feel at home in the world.
With Google Earth I can set my computer screen at 30, feet and watch the entire flight path from Indianapolis to Denver drift by below me; and after Denver, on to Eugene, or Portland; and I can zoom in on details that catch my interest. Circles and Squares I could spend all day in my window seat and not get bored, but in a short essay I need a focus.
Out here the land is as flat as a pool table, and an agricultural technology has been developed that takes full advantage of that flatness. So here we see twelve square miles of the grid. The smaller ones are a half-mile across.The Case for Reparations. Two hundred fifty years of slavery.
Ninety years of Jim Crow. Sixty years of separate but equal. Thirty-five years of racist housing policy. Personal Statement of Experience (PSE) and Supplementary Information. Admission at Queen’s is very competitive, so we may use supplemental information, including the Personal Statement of Experience (PSE), Supplementary Essay (SE), audition, and portfolio, where required – as well as your academic record, to help make admission decisions.
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